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• Holy Machiavels
• Swimming with Oliver Sacks
• Benjamin Moser on Clarice Lispector’s Complete Stories
• Murakami’s “Kafka on the Shore” Comes to the Stage
• Of Many Minds
• Remembering New York’s 1980s Hardcore Scene
• Five Photographs by Ellen Auerbach
• Swimming with Oliver Sacks
• Paradise Tossed
• Beautiful Image, or, Adolescence at the Spa

• On Not Being There by Scott O’Connor
• Celibacy is all the rage on social media. Here's why.
• Tesla lowers range estimates for Model Y, S, X cars
• Wordle today: The answer and hints for January 5
• Internet conspiracy theorists are convinced aliens appeared at a mall in Miami
• Joseph Cornell, Our Queequeg by William N. Copley
• The Nature of Gary Snyder by Robert Hass
• Staff Picks: Haiku, Hearts, and Homes by The Paris Review
• Dear Building Residents by Lee Conell
• SpaceX responds to unfair dismissal charges, calls watchdog unconstitutional

• Cut the Music
• Staff Picks: Robot Maids, Airships, Geocities by The Paris Review
• The Wedding of the Painted Doll
• Hunter S. Thompson Rides with the Hells Angels
• Who’s Afraid of the “Petextrian”?
• Notes on Unreadable Books
• A Brief History of African Americans in Opera
• Is This a Photo of the Brontë Sisters? Probably Not.
• The Swamp Thickens
• Still Lifes Capture the Evolution of the Watermelon

• In Praise of Negative Reviews
• Rick Moody on Paul Metcalf’s Innovative Novel “Genoa”
• Think Like a Mountain—Aldo Leopold’s Path to Conservationism
• Atticus Finch and Naming Your Children
• Fresh Hell
• A Letter from H. L. Mencken
• The Book Cover in the Weimar Republic
• The Font of Poetry, the Poetry of Font
• DACApocalypse Now
• Remembering Gordon Bishop