Part teen sex comedy,Jelena Jensen Archives part Fight Clubsmackdown, Bottoms' wild duality comes through loud and clear in every aspect of its filmmaking — including its makeup looks. Characters are just as likely to be dusted with glitter as they are to be drenched in blood. Sometimes, they're both at once!
So for Bottoms makeup department head Natalie Christine Johnson, the film presented a unique opportunity. On the one hand, she had to design bruised-up, gorier looks for Bottoms' many fight scenes. On the other, she was faced with developing beauty makeup for the movie's high school-aged protagonists.
The strategy became: "Perfect the canvas, make it so everyone's beautiful, everyone's flawless. Then throw blood on it," Johnson told Mashable. Throughout our interview, she also broke down her inspirations for the film's makeup looks, what makes the perfect fake blood, and the ins and outs of shooting Bottoms' brutal final fight.
Despite the heightened chaos of the rest of Bottoms— Wrestlers in cages! Murderous football players! — it was important to Johnson that the makeup remained realistic and grounded. That way, audiences would remain immersed in the world director Emma Seligman establishes.
To accomplish that realism, Johnson made sure characters' bruises and cuts matched up with the hits they were taking, coordinating with stunt coordinator Deven MacNair during shoots. She also had to track the stages of healing for every injury. After all, a bruise may start out a deep purple, but as time goes on, it morphs to green. Johnson has a background in horror, including The Purge TV series, so when it comes to covering actors in blood and wounds, she said, "I can do that with my eyes closed."
The everyday high school looks presented a different challenge. "It's actually harder to preserve beauty makeup just because you have elements like heat and wetness and changing in and out of clothes and your body's natural oils," said Johnson. "Not that it's hard, but it's definitely more to keep up with as opposed to when you're a little grungy and dirty."
SEE ALSO: What's new to streaming and theaters this week: 'Bottoms' to 'Ahsoka'For these looks, Johnson opted for naturalism, occasionally taking inspiration from '90s comedies like She's All That. Sometimes, the makeup veers into more current trends, such as putting gems on cheerleaders' faces. But the most ostentatious look by far has to be PJ's (Rachel Sennott) statement makeup in the film's early fairground scene.
"She just has every makeup trend known to man on her face," Johnson said of the look, which includes heavy contour and highlight, a severe cut crease, and minty blue eyeshadow caked on around her tear ducts. "This is what PJ's interpretation of what a girl doing her makeup should look like, and it's so wrong."
Inspiration for this PJ look came from one very specific place: Marnie's extreme wedding makeup from Season 5 of Girls. "Remember when Marnie got her makeup done, and it was horrifying?" Johnson asked. "That's what Rachel and I talked about in our first meeting. She was like, 'I want it to be Marnie's wedding makeup, but tweaked.'"
Johnson may have drawn from '90s comedies and Girls for Bottoms' beauty makeup, but when it came to the fight scenes, it was all about Fight Club and Kill Bill. Kill Bill in particular became a touchstone for Bottoms' fake blood, as both films' blood is a tad brighter than the real stuff so it can pop more on screen.
Choosing the fake blood to use on-set was an intense affair all by itself. "So many e-mails back and forth," Johnson said of the process. "You don't want to use anything that could potentially stain skin or wardrobe." (For anyone looking for fake blood advice, Johnson settled on Fleet Street Bloodworks Drying Blood due to its staying power, but she tweaked the "Fresh" color so it would be even brighter.)
Bottoms puts its fake blood (gallons and gallons of it) through the ringer, especially in a climactic fight scene between PJ and Josie's (Ayo Edebiri) fight club and a killer football team. According to Johnson, the sequence was filmed over six nights. When the blood was involved, she and her team would have to bloody the actors, clean them between takes, and re-bloody them.
"It's very red light, green light," she said, "But it's so fun. Four hours will go by and you'll have no idea."
That fun extended to the atmosphere on set. "It was like a summer camp vibe, because the girls were having so much fun with their fighting and they loved being covered in blood," Johnson said. She remembers Sennott and Havana Rose Liu being especially excited about the blood.
"I always told [Rachel] that she was my Edward Norton," Johnson said. "She loved being bloody."
Seligman also loved the copious amounts of blood being used on set. For that final fight scene — and the movie in general — the rule seemed to be the bloodier, the better. "Emma always wanted to elevate it," Johnson said. "She wanted that last scene to be the bloodiest. If we could have used more blood, we would have."
Bottoms is now in select theaters.
Topics Film
Literary PutHonestly, I'm just tired.Apple's new Fitness+ feature might make Peloton sweatWordle today: Here's the answer and hints for May 26'Yellowjackets' ending explained: Season 2 bids farewell to a fan favoriteDead Authors at Fashion Week: Part 1 by Katherine BernardIn Memory of Daryl Hine by Sadie SteinLetter from India: The Haunting by Amie BarrodaleWordle today: Here's the answer and hints for May 27Dead Authors at Fashion Week: Part 1 by Katherine BernardSomeone to Watch Over Me by Nica Strunk'You Hurt My Feelings' review: Julia LouisChatGPT plugins face 'prompt injection' risk from thirdHenry James’s Living Room: Literary Color Palettes by Pantone by Sadie Stein'Zelda: Tears of the Kingdom' beginner's guideLindsey Graham said to use his own words against him. Twitter is on itFuzzy Austen, Tipsy Wilde by Sadie SteinHeal Thyself by Maureen MillerLetter from Portugal: Sonnets from the Portuguese by Sadie SteinStephen Colbert's election website shows you how to vote state Basilica by Cynthia Zarin Flight Paths by Omar El Akkad Does the Parent Own the Child’s Body?: On Taryn Simon’s Sleep by Rachel Cusk 7 Slack privacy settings you should check right now Samsung Galaxy S24 Ultra battery life: Does it beat iPhone 15 Pro Max Anaïs Duplan, Nonfiction by Anaïs Duplan Listen to Henri Cole Read Poems from the Paris Review Archive by Henri Cole WhatsApp: New AirDrop Stealing It Back: A Conversation with Frida Orupabo by Maya Binyam Match Group buys sapphic app HER: What's next? 26 billion records have been leaked in 'Mother of all Breaches,' but don't freak out On Liberated Women Looking for Love by The Paris Review 'True Detective: Night Country' and the Dyatlov Pass incident, explained 20% off pink Hydroflask bottles, tumblers, and mugs Ina Cariño, Poetry by Ina Cariño A new Pope has been chosen. Here's what his X posts say about him. Amazon Echo Show 8 deal: Save 40% Robot vacuum deal: Get the iRobot Roomba 694 for 42% off Diary, 2018 by Elisa Gonzalez We Need the Eggs: On Annie Hall, Love, and Delusion by Sheila Heti
2.0109s , 10158.265625 kb
Copyright © 2025 Powered by 【Jelena Jensen Archives】,Evergreen Information Network