In November,erotice اÙلام تركية actress Uma Thurman said she was waiting to speak out about sexual harassment and sexual assault until she felt less angry. That day has arrived.
Thurman finally told her story to The New York Times in a devastating account published Saturday. In it, Thurman alleges that Hollywood producer Harvey Weinstein attacked her multiple times. Thurman also recounts several strange abuses of power on behalf of her Kill Billdirector, Quentin Tarantino.
SEE ALSO: Lena Headey on her work with refugees and what inspired her to share her #MeToo storyThe actress says Weinstein's incessant flattery, as well as the high position he held, made her miss what would otherwise be seen as key warning signs. She connects her former agency, Creative Artists Agency, with Weinstein's predatory behavior. And she feels deep guilt for failing to protect all the other women who Weinstein assaulted after her:
"I am one of the reasons that a young girl would walk into his room alone, the way I did. Quentin used Harvey as the executive producer of ‘Kill Bill,’ a movie that symbolizes female empowerment. And all these lambs walked into slaughter because they were convinced nobody rises to such a position who would do something illegal to you, but they do."
Thurman's anger doesn't stop there. The actress also alleges that Tarantino, for all of his feminist posturing, took advantage of his power as her director on Kill Bill. Thurman claims that Tarantino asked her to perform a stunt in a car she was told by engineers shouldn't be used. Despite her repeated pleas, Tarantino allegedly pressured her into following through, leaving her with permanent injuries to her neck and knees.
Tarantino also allegedly enjoyed performing some of the film's more sadistic flourishes himself, including spitting in her face and choking her.
"Harvey assaulted me but that didn’t kill me," Thurman told the Times. "What really got me about the crash was that it was a cheap shot. I had been through so many rings of fire by that point. I had really always felt a connection to the greater good in my work with Quentin and most of what I allowed to happen to me and what I participated in was kind of like a horrible mud wrestle with a very angry brother. But at least I had some say, you know?"
The entire interview -- which also includes footage of the Kill Billcrash provided by Thurman -- is worth a read, available here.
Topics Celebrities
10 stunning photos from India's rare queer pride marchRhode Island suggests Facebook overpaid the FTC billions to protect Mark ZuckerbergSamsung spams random users with bogus 'Find My Mobile' notificationElon Musk says Tesla's Solar Roof is going global later this yearJenna Fischer finally reveals what was in Jim’s teapot note to Pam on 'The Office'The Trump team sounds woefully unprepared for this year’s Easter Egg RollUber drivers sure to hate new 'report safety issue' featureThanks to Brexit, British Google user data will be moved to U.S.Campfire safety: How to build a fire the right waySean Spicer's comments on Hitler shredded by single MSNBC chyronBest compact strollers for traveling with kids in 2020Trump remembers what cake he ate but not what country he bombed and help us somebody pleaseCoronavirus (probably) won't delay Apple's iPhone SE 2, analysts sayHow 'Kidding' became the most devastating show on TV: InterviewEveryone is making the same joke about United Airlines and PepsiDog finds the perfect sunny day companion and it's not what you'd expectMan makes impressively bizarre hotel request, hotel delivers'Fortnite' now has a 'Never Gonna' emote for all your rickroll needsDude expertly dropkicks a snake that tried to bite his assYour emotions could be worth $$$ in the form of GIFs (seriously) Whiting Awards 2020: Diannely Antigua, Poetry Notes of a Chronic Rereader by Vivian Gornick On the Timeless Music of McCoy Tyner by Craig Morgan Teicher The Closeting of Carson McCullers by Jenn Shapland The Return by Jill Talbot Jonathan Escoffery Wins Plimpton Prize; Leigh Newman Wins Terry Southern Prize by The Paris Review Redux: My Prose Was from the Heart by The Paris Review Whiting Awards 2020: Genevieve Sly Crane, Fiction Playwright, Puppeteer, Artist, Cyclist by The Paris Review Staff Picks: Spines, Spaniels, and Sparsity by The Paris Review Redux: The Folded Cooking with Hilda Hilst by Valerie Stivers Staff Picks: Swans, Sieves, and Sentience by The Paris Review The Photographer and the Ballerina by The Paris Review Whiting Awards 2020: Jaquira Díaz, Nonfiction Poetry Rx: Poems for Social Distancing by Claire Schwartz Redux: I Lost the Time of Day about Three Weeks Ago by The Paris Review Pendulum by Jill Talbot ‘The Paris Review’ Wins the 2020 National Magazine Award for Fiction The Elena Ferrante in My Head by Katherine Hill
2.261s , 10176.015625 kb
Copyright © 2025 Powered by 【erotice اÙلام تركية】,Evergreen Information Network